Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). few writers have shown us before-the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Easy's search takes the reader to an L.A. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. "I thought there might be some justice for a black man if he had money to grease it," Easy says. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. Walter Mosley's Easy Rawlins has few illusions about the world-at least not about the world of a young black veteran in the late 1940s in Southern California.
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